In the Community

The People of Matthews: Marty Todys

Marty Todys, 64, lives in Matthews. Marty rides 3 1/2 miles every day to and from work. When it rains, his wife comes to pick Marty up, and his bike.

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I stay on the sidewalks. If there’s a car in the crosswalk, I’m gonna let them know they’re in my crosswalk. I’m 64!
— Marty Todys

Interested in cycle-commuting? According to BikeWalkNC, North Carolina traffic laws treat bicycles as vehicles and treat bicyclists as drivers of vehicles.  Cyclists should be treated with the same safety and respect as other vehicles. More information on cycling laws here.

Inked Phoenix: Emotional Healing Through Mastectomy Tattoos

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Nearly one year after Kirsten Michaud had a double mastectomy, she found herself looking for something which would give her joy and peace, especially when looking at the scars on her chest.

“I realized that the other options weren’t going to do it for me,” said Michaud. “My (breasts) were never going to look the same again…..I just wanted something to cover the scars and make it beautiful.”

Photo by Cyma Shapiro

Photo by Cyma Shapiro

She decided that a mastectomy tattoo would suit her best. And, so began a search through tattoo parlors, seeking the right place and the right person, all the while mindful that she needed a place close to her house – she knew she was still recuperating and needed to do this work slowly.

Enter Mike “Ike” Trimboli, a tattoo artist at Infamous Ink Tattoo Studio (11229 East Independence Boulevard – Suite #1) who had experience with self-harm and tummy-tuck clients – individuals who wished to have tattoos cover up their arm and tummy scars, respectively.

They nearly immediately “clicked.”

“It’s really important that you have a connection with your tattoo artist because you are going to be spending numerous hours with them, in close proximity and super-exposed. You know what I mean?  I laid in that back room half-naked for eight hours, so that’s something ….we hit it off well, right ‘off the bat.’ “

After carefully designing the image, Ike needed to ensure that the design would take into consideration the scar areas and the “form and flow of the body and make sure it would match.”

I realized that the other options weren’t going to do it for me. My (breasts) were never going to look the same again…..I just wanted something to cover the scars and make it beautiful.
— Kirsten Michaud

The tattoo application took place in the three sessions over approximately two months. When it was over, Kirsten was overjoyed. Ike felt as if he had truly helped someone.

“My mom’s a nurse,” Ike said, explaining that he, too, had found a similar desire to help others. “When you give tattoos, you don’t really help people other than giving them cool tattoos….it’s skin deep. When I started doing the self-harm clients, I felt like I was helping people. They started wearing short sleeves again. And with the mastectomy tattoo, it was like ‘Wow!’ – this is really fulfilling. (I decided that) I can help more people and I just drew from that,” he said.

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It’s really important that you have a connection with your tattoo artist because you are going to be spending numerous hours with them, in close proximity and super-exposed.

Michaud saw the impact the experience had on Ike. “I got the feeling that Ike got a lot out of helping me thru this process and that he wanted to continue doing this (work),” said Michaud.

And, so they joined forces to combine their paths into a common and shared goal. “We talked about how expensive tattoos are ($800-1800),” said Michaud. “After treatments and medical bills, that’s not an expense that most women can afford and, of course, it’s not covered by insurance. So this idea came that maybe we’d start a (nonprofit) and we’d pay for the mastectomy tattoos.”

Michaud quickly secured a Board of Directors and formed a 501(c)(3). In January of this year, Inked Phoenix was born. She began visiting tattoo parlors in North, and, then, South Carolina. “I’m looking at the environment they are going into. I want to make sure that they have a private room; that they are comfortable there.” It is Michaud’s fervent desire that everything, including the business aspect, is handled beforehand and that the entire process goes smoothly for applicants who have already endured significant emotional and physical pain.

“I’ve already done the hard work. They can go down the list and pick whichever one they want.” Clients don’t handle any money; the funds are transferred from Inked Phoenix to the tattoo parlor. Inked Phoenix subsidizes 100% of the work at the artist’s rate.

“After seeing how much work Ike put into it and realizing the skill-factor needed to complete a mastectomy tattoo, to have to sit there and listen to someone tell their (survivor) story and go through (all) the emotions, I really felt like they need to be compensated for that,’ Michaud said. “And, they should be. It’s their talent….It’s not easy to work on scar tissue.”

“I’ve already done the hard work. They can go down the list and pick whichever one they want.” Inked Phoenix subsidizes 100% of the work at the artist’s rate.

“I have a scar line that (when Ike touched it) it nearly sent me off the table,” she said. “That’s the other reason (the artists must have experience) - they are working with scar tissue – it’s not just the texture of it, but understanding that you are going to have nerve endings that have feeling and nerve endings that have no feeling.” Tattoo artists need to “be patient enough to understand that,” said Michaud.

This year, nearly one dozen applicants are expected to receive tattoos - a number she expects will double next year. And, Michaud’s goal is to expand into more Carolinas locations and possibly beyond (tattoo artists in Florida and Nevada have contacted her asking to be involved).  

“I didn’t want women to have to drive that far because it’s exhausting,” said Michaud. “You’re laying on the table, your adrenaline is flowing, your endorphins are going, and it’s such an emotional experience. Having to drive (many) hours after that is ridiculous.”

Photo courtesy Inked Phoenix Project

Photo courtesy Inked Phoenix Project

While navigating the new nonprofit, Michaud decided to also add veterans into the mix. (Her son and husband are both in the military). “This was another group which would benefit from this. You (wouldn’t) have to see your scars all day…….. A lot of vets say, ‘I didn’t even think to do this.’”

To attract contributors and clients, Michaud has started speaking to breast cancer survivors/groups; reached out to veterans and breast cancer organizations/nonprofits; sold t-shirts and has spread the word at tattoo festivals and Harley Davidson festivals/gatherings.  “We are slowly but surely getting the word out…..when you talk about tattoos and breasts, it isn’t warm and fuzzy.”

What is her most motivating factor? “The passion is because I know how it changed my life and I get an email back from a woman who tells me that it’s the first time she’s worn a bathing suit in years, because you don’t notice the scar right away. Or, a woman whose daughter says she looks like a “badass” and I know it makes her feel good because her daughter notices (it). I just think this is something that should be available. It should not be a choice, simply because you can’t afford it.”

Photo courtesy Inked Phoenix Project

Photo courtesy Inked Phoenix Project

In the future, Michaud said she hopes that doctors will begin suggesting mastectomy tattoos as a possibility. “Mastectomy tattoos aren’t something that even doctors talk about…they don’t present it as an option.” She also intends to continue expanding her nonprofit and her work.  “I just want to stay on this mission,” Michaud said. “It’s important that you have a good rapport with your tattoo artist. I’ve known Ike for 2 ½ years now. He was such a part of such an emotional experience with me that he, until I die, will be a part of my life - just because of that.”









Fire Station Open House: A Photoessay

Saturday, October 13, 2018, the Mathews Fire and EMS Department held an Engine Wetdown Ceremony and recruitment open house. The public was invited to watch as the new Engine 12 was officially launched into service. As part of the “wetdown” tradition, members of Matthews Fire & EMS Explorers used the hose from Engine 1 to soak the new Engine, then community members were invited to help dry it off before rolling the truck into its new bay. The engine was purchased and outfitted thanks to a partnership between Matthews and Novant Health. Afterward the community was welcome to explore the fire station, talk to members of the Department, and sign up as volunteers.

Rob Hunter: Serving God and Community

My passion is taking whatever scripture it is, basing our lessons off that and relating it to a teenage life.
— Chief Rob Hunter
Photo courtesy of Matthews United Methodist Church

Photo courtesy of Matthews United Methodist Church

As Rob Hunter has just finished his first year of “retirement” from his career as Police Chief of the Town of Matthews, he’s moved easily into a second career, found (another type of) contentment, fueled his faith-based passions and brought forward a fundamental continuation of his faith in his new full-time job as “Associate Director of Youth Ministry” at Matthews United Methodist Church on South Trade Street.

Where, as Police Chief, he oversaw a $6 million budget; 75 paid employees, 25 volunteer citizens and a myriad of complex and significant issues in the force and the town, he finds his joint religious responsibilities for nearly 300 teenagers, primarily in 10th-12th grade, no less important or insignificant – and no less God-driven – a perspective he takes on in every facet of his life, as he conveys with both wonderment and awe.

“That’s where God wanted me to be,” he said.

Photo credit: Rob Hunter

Photo credit: Rob Hunter

Growing up in Rock Hill, South Carolina, one of six children (his father died when he was two years old), Rob was impacted by many life situations – a break-in at his home, which left an indelible mark on him regarding the gentility and support his family received from the responding police officers, a superior/coworker in the security department at Carowinds (where he worked as a teenager) who showed him how professionalism, respect and caring were the “ideal” attributes for a police officer. As a newly-married man, he expected to obtain employment as his college degree dictated – in special education – but once again fate and God intervened and led him to a job in the police department.  Since then, he has never looked back.

“We are all God’s children,” Hunter said - a phrase and philosophy he clearly attributes to his mother.

And, as church became a staple of his newly married life and religion became more important, he found himself gravitating toward youth-related programs, becoming a youth leader more than one dozen years ago. It was work that he said kept him “grounded.” After a co-worker stressed that he was having a positive impact on kids who previously saw him in uniform as just a “cop,” he also began to see himself as a teacher and mentor.  A series of synchronicities (he, again, attributes to the work of God) catapulted him from being a youth leader to becoming a full-time employee in the church he clearly loves.

Among the responsibilities he now holds is to create programs and lead weekly Sunday night faith-based lectures referencing scripture to teenage life. “I try to make it applicable,” he said, adding that he utilizes both current events and his own life stories to make a point about failure, challenges, success and the character traits necessary to be a good human being.

“My passion is taking whatever scripture it is, basing our lessons off that and relating it to a teenage life,” Hunter said. “How does it affect you…to make it impactful?”  

As a youth, he recalls hearing many “stories” in church which he remembered as being irrelevant to his life. As an adult who oversees children, Hunter said he is always conveying teachable “accounts.”  

As a youth, he recalls hearing many “stories” in church which he remembered as being irrelevant to his life. As an adult who oversees children, Hunter said he is always conveying teachable “accounts.”

With nearly one year in his new position, how does he now feel about his work? “(I’m glad I’ve) not messed up royally,” he says with a laugh, referencing that he came to this job without an educational background in religious studies and that he was “just a policeman.”

“I think at the core of this is the heart – if you love these kids, if you love God, whatever I do (will be ok)……The kids see that you are human. We may stand up here and teach, but we don’t know everything,” Hunter said. “We’re committed to walk this walk together. My greatest accomplishment is that I haven’t failed the kids and I think that God provides (for) that.  I’ve kept them foremost in the spotlight of responsibility.”

And, what does he see for his future? “I’m excited to see what God has in store for me. I’ve already proven in history that I thought I knew who I was and what I was doing but he had a plan – not me, so I’m not sure about that one.”

Red Brick Partnership Under Scrutiny by Matthews Residents

Updated 10/9/2018 with corrections

Red Brick Partnership (RBP), a coalition of downtown Matthews businesses, was formed in 2015 by the Town of Matthews and its Economic Development Advisory Committee, and is currently co-chaired by John Urban* (Matthews Commissioner, owner of Urban Architectural Group) and Rob Jacik (owner, Carolina Beer Temple, Temple Mojo, and Seaboard). RBP’s stated mission has been to “promote the awareness of Downtown Matthews, the businesses and citizens that comprise the downtown area as a destination for residents and tourists.” There is presently no public list of Red Brick Partnership members.

Photo by Norah Burke

Photo by Norah Burke

The initial funding for Red Brick Partnership included donations from private businesses and a grant of $20,000 from the Town of Matthews, which was approved by the Town Commission, headed by then mayor Jim Taylor, and including current commissioners Chris Melton, John Higdon, Kress Query, and Jeff Miller. Town Staff provided information regarding actual town expenditures during this period.

In its first year of existence (2014/15), RBP received $10,600 in external donations and/or revenue, submitted directly to the Town of Matthews. With $12,515 in expenditures, the Town used $1,915 of the $20,000 approved by council to cover the difference. In its second year RBP received $7,925 in donations/revenue, and with $17,732 in expenditures the Town covered $9,807 of that amount. The RBP was administered as a town entity from its creation in fiscal year 2014/2015 until it incorporated during fiscal year 2016/2017. During this period Town staff managed and approved all funds going into and out of RBP.

Red Brick Partnership filed as a separate entity in 2016, prior to the separation they received $250 in donations. That year there were $20,040 in expenditures, including $18,393.10 provided directly to Red Brick post incorporation. The Town covered $19,790 in expenditures for fiscal year 2016/17. In RBP’s first full year as an independent organization (2017/18) the town provided $20,000. Total investment of town tax dollars has been $50,115 thus far, with RBP managing $38,393.10 without oversight from Town staff.In July 2018, the Board of Commissioners approved an additional contribution to RBP of $20,000 to be disbursed later this year.

The Town does not have a process to determine whether donations to RBP have resulted in a positive return on investment – through higher spending at local establishments or an increase in visitors to downtown businesses. The town has relied instead on the Town Council representative on the RBP board – currently Mr. Urban – and the representative from town staff – currently Assistant Town Manager Becky Hawke – to ensure town funds are being used appropriately.

Matthews’ continued investment of money and personnel has been provided with the assumption that RBP is a nonprofit organization. RBP’s domain extension (.org), further contributed to the presumption of nonprofit status. However, research performed by Matthews resident Gordon Clemmons uncovered that Red Brick Partnership filed for incorporation with the NC Secretary of State but never applied for nonprofit status with the IRS. As such, RBP has yet to file a 990, if annual donations and in-kind contributions exceeded $50,000 or a 990-N for nonprofits with less income. It is unclear if RBP has filed annual taxes as a business with income.

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At the Board of Commissioners meeting Monday night, Mr. Urban addressed concerns. He maintains that the missed IRS filing was a simple error and was brought to his attention a few months ago. The organization is working to complete their nonprofit filing now. Mayor Paul Bailey expressed support of Mr. Urban and stated the funds approved in 2018 would be disbursed to the organization as soon as they have their paperwork in order.

Mr. Clemmons spoke during the public comment period. He brought up concerns about mismanagement of taxpayer money, potential conflicts of interest, and whether the organization is necessary given the existence of the Matthews Chamber of Commerce and the Economic Development Advisory Committee. He called for the return of funds given to RBP by the town, for an independent investigation of RBP’s finances, and for Mr. Urban’s resignation.

Mr. Urban did not respond to Mr. Clemmons public comment directly.

*Urban’s own documents and Facebook page denote himself as co-founder of RBP.

The People of Matthews: The Wrights

Photo by Cyma Shapiro

Photo by Cyma Shapiro

New Matthews transplants Kelly Wright and son (from Ithaca, NY), looking at the Seaboard train for the first time while waiting for the library to open. Her reason for choosing to live in Matthews: "We love the downtown area; it has a small town feel - great architecture." 

Photo by Cyma Shapiro

Photo by Cyma Shapiro

Art for Veterans Creates Comrades-in-Art

Art for Veterans, a non-profit serving military veterans, offers an open studio, free materials, guidance, and a safe space to create art at McDowell Arts Center by the Community Center in Matthews. Classes and studio time are offered September to June on Wednesdays from noon to 3 PM and Fridays from 1 to 4 PM .

On 9/11, the tragic time struck artist Eileen Schwartz particularly hard. Living in San Diego, she was “so upset by the events of the day” that she felt the need to immediately do something. “There was patriotism all around, flags everywhere, cars painted with flags, faces painted with flags,” she said. Schwartz wanted to capture the images of the moment.

With the work and help of others, her intentions and photographs turned into what became approximately 400 snapshots and the basis of an art gallery show. Creating a nonprofit organization called “Flags Across the Nation,” which also added the display of children’s pictures and then quilts soon followed. The work forever linked her to vets and their families across the country. To date, she’s curated/created 65 shows or events from San Diego to Charlotte; she continues to receive letters from military personnel across the country, currently or previously deployed.

Five years ago (now living in Charlotte), she and her nonprofit group wanted to branch out in other directions - the art class for military personnel, “Art for Veterans,” was born. Offered weekly from September to June, anyone who has served in the military can come to the McDowell Arts Center in Matthews for (up to) three hours each Wednesday (noon to 3 p.m.). The classes and materials are free. At least 10-20 men and women (currently ages 25-94) come to quietly work on (a variety of) artwork and paintings.

“I wanted to make a safe space for veterans who wanted to come to paint,” said Schwartz, explaining that some people need to de-stress, some people are there to learn techniques and some people want to be around other veterans. “Everyone is here for a different reason,” she said.

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“I wanted to be directly involved with veterans and give them the opportunity to explore art,” said Schwartz. “I’m a supporter for individuals for what they want in their life. I give them the opportunities to explore.”

We have a lot in common with those who are in the different branches of the military. The lessons are a way to meet new people, make a connection and express ourselves through our art.
— Felicia LaGrant

To Diana Rahe, 58, US Army/NC National Guard/Desert Storm/former Gastonia police officer – driving one hour each week to attend the class has been the best thing she could hope for. After years in the military, suffering from severe PTSD and chronic ongoing and significant nightmares, her therapist urged her to “find a purpose.” An online search for Veterans Art Therapy led her to the class and the mistaken idea that she would be asked to only express her military experiences through art. “I never had a hobby before,” she said, adding that she couldn’t paint until she tried the class. “It’s so much fun to paint - it’s a great experience and (is) such a (great) experience to sit with veterans….who have served in all sorts of conflicts.”

“We have a lot in common with those who are in the different branches of the military,” said Felicia LaGrant, 59, US Army – one of the newest members of the group. “The lessons are a way to meet new people, make a connection and express ourselves through our art.”

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Dom Spedicato, 86, US Army/Korean War, said the class has helped “reveal (your) inner self and feelings,” adding that the experience has helped him ”feel what others” in the class have experienced - both physical and emotional pain. “I feel compassion for (many of) them,” he said.

“It’s a good time to spend with comrades-in-arms,” said John Prestbo, 77, US Air Force/Vietnam. “and lets me pursue my art,” said John Prestbo. “It’s a good, comfortable time. I look forward to coming here each week.”

While many classes often involve a revolving group of participants, many of the students in this class have stuck with the program, finding comfort, joy, and fulfillment in a safe space. “This is a wonderful opportunity to take advantage of for as long as I can,” said Rahe. “It’s just enjoyable to learn different techniques – it’s relaxing… It’s helped me heal. Sometimes you see things or experience things you don’t have words for and you don’t want to explore. We’re lucky to have this class. I wish more (veterans) would do this.”

#Throwback Thursday: In dire need of protection (circa 2008)

With permission, The Beacon is archiving past issues of Matthews Record (also called Matthews News and Record and The Matthews Record) articles online. Throwback Thursday articles will include relevant content still facing Matthews today. This article was originally published May 29, 2008. Earlier this week we posted an article, Past to Present: Crestdale’s Roseland Cemetery, about current plans for Roseland. This article discusses a prior rezoning petition from 2008.

In Dire Need of Protection

As development lunges forward, preserving Matthews’ past is critical

by Janet Denk, May 29, 2008

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The Town of Matthews, over the past twenty years, has tried to control development with stringent planning and zoning practices. Tree, landscape and environmental ordinances are constantly being tweaked to promote the protection and preservation of natural resources. Matthews historical preservation is a source of pride.

Many in Matthews are depending on the same source of pride, leadership, and support when it comes to preserving the Roseland Cemetery, one of the few African-American burial grounds, in dire need of protection, located off Monroe Road in Matthews.

The Roseland Cemetery contains the remains of slaves and freed blacks from Matthews and areas beyond. Many who grew up in Matthews remember their parents and grandparents talking about the old ‘Negro Cemetery’.

The Tank Town community, which ran along E. Charles Street is full of ancestral stories. Many of those stories lie beneath two acres of periwinkle-strewn soil on private property which is currently up for rezoning, and then sale. A public hearing for Zoning Petition 531 has been set for June 9. In the meantime, diligent efforts are being made to preserve that piece of history.

“It was one of the only places around in those days where black folks could be buried,’ said Mary Morris, whose family owns land in the Crestdale community of Matthews. ‘My grandaddy, grandmomma, aunts, uncles, plenty of relatives are buried there. Me and Harvey (Boyd) have been talking about what’s going to happen with that place when it’s developed. That’s our history.”

Roseville AME Zion Church was located on Ames Street, which was not in Tank Town, but in Matthews. Its name has been morphed into Roseland and there’s very little written history about the place. Though not for lack of trying.

Harvey Boyd, the tireless Crestdale community activist and resident has worked hard to keep the cemetery preservation issue alive.

“The previous developer who looked at the land assured us that they would provide access to the site, as well as a fence around the area,’ Boyd told The Record. ‘There’s over two acres of African-American history at the back of the land which many people are interested in protecting and preserving.”

Cemeteries, under state law, have to be moved or fenced in. Developers which go before the Matthews Town Board have, thus far, not expressed any objection to the attempts by local historical groups and residents interested in protecting Roseland. Currently, the site is not maintained, as family members move away, grow old, or become unable to tend the graves.

Members of The Matthews Historical Foundation have been working with local families and the town board members to consider the idea of having the portion of land containing the burial plots deeded to the organization, so that the business of preservation and protection can get underway, despite the development of the land.

“Cemeteries are protected by law.” Paula Lester, a Matthews resident and history buff, wrote a book which contains information about the cemetery from interviews with local residents. She is the current president of The Matthews Historical Foundation Board. “It’s an important part of Matthews’ history and we’d be very interested in seeing this place preserved,” she said.

The church was organized in the late nineteenth century and had an active congregation until 1928. The House of Prayer was established in Tank Town in that year and most of the members of Roseville switched to the United House of Prayer. The abandoned Roseville Church eventually collapsed. The Roseville congregation maintained the cemetery several miles away which served as the primary burial ground available to African Americans living near Matthews and who were not affiliated with other churches that had their own churchyards. The book, “Discover Matthews: From Cotton to Corporate,” contains a rough drawing of the Roseville AME Church by Matthews native Mary Louise Phillips.

At one visit to the site, an adjacent homeowner stopped a reporter and photographer to inquire about their business. They were told that several people continue to visit the gravesites until a few years ago. There is no proper entrance or exit to the area. Vandals have visited the wooded area and the overgrowth nearly swallowed the few visible grave markers.

“There aren’t but a few headstones out there. Those old graves were marked with stones because people couldn’t afford monuments,’ Mrs. Morris added. Living now in Davidson, Morris and her husband, the Rev. Clement E. Morris, raised their children in Matthews and have a vested interest in the burial ground. The Morris family is one of Crestdale’s oldest families with generations and relations still living in the, once rural, community alongside the CSX railroad tracks which run behind the Matthews Branch Post Office.

Much of their family land abuts the future Mecklenburg County proposed Soccer Complex. Plans to connect E. John Street to Charles to the recreational site will pass through or alongside this property. The fallen trees and overgrowth in the area in the area prevent people like Mrs. Morris and Viola Boys from ever hoping to visit those graves until something is done to preserve the area.

“I’ve got twins buried there,” said Mrs. Boyd who is approaching 100 years. The Boyds are original settlers to the Matthews area, too.

The public is invited to comment at Town Hall on June 9 with regard to the rezoning of private property from R-20 to R-VS. Previous attempts to develop this property belonging to the Renfrow family have been turned down due to the density of the proposed projects.

No matter the fate of Petition 531 - the pride, leadership, and support of the community can have a direct effect on the pages of how the Matthews story will be told.

Past to Present: Crestdale’s Roseland Cemetery

Photo by Cyma Shapiro

Photo by Cyma Shapiro

When the Taft Development Group (TDG) begins breaking ground in mid-November on the multi-use 21-acre “Proximity Matthews” complex on 10252 Monroe Rd., Charlotte native and UNC anthropology major Hoke Thompson will be marshaling area townspeople to begin carefully clearing out fallen trees and debris on Roseland Cemetery, located on the back of the property.  

Roseland Cemetery, also known as the town’s African American Cemetery is the final resting place of approximately 75 former slaves, many of whom were also Crestdale residents.  The descendants of many of those buried at Rosedale still own or live on their family land.

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There are many sunken spaces once believed to hold graves and a few still-standing and barely legible gravestones.

Photo by Cyma Shapiro

Overgrown and in total disrepair, the less than two-acre plot is on private property with limited accessibility. There are many sunken spaces believed to once hold graves and a few still-standing and barely legible gravestones. Six years ago, the Charlotte Mecklenburg Historic Landmarks Commission designated the cemetery as an historic landmark.

Having originally worked on restoring the Native American and free slave burial cemetery on the grounds of Sardis Presbyterian Church in Charlotte, Hoke Thompson has experience with this type of venture.  Now the Project Manager for this historic cemetery reclamation project, Thompson first showed interest as an Eagle Scout and has waited two long years to see this all of this come to fruition. “I’ve been eager to get in there and fix it up,” he said.  He will also be joined by Paula Lester, president of the Matthews Historical Commission, members of the Matthews Preservation Advisory Committee and others.

According to Dustin Mills, VP of TDG, the cemetery will not be impacted by nearby construction. “There will be no tractors or tree (work there),” said Mills. “It will be preserved in its present state... We’re committed to making this an area which will be beneficial to those who have loved ones in the cemetery and allow them to have access to it, (too).”

Photo by Cyma Shapiro

Photo by Cyma Shapiro

The People of Matthews: Dustin Faddis and Hunter Brooks

Dustin Faddis, 26, and Hunter Brooks, 23, both Underground Technicians from Salisbury, NC, installing bore conduits for fiber optic cables on East John St. Equipment they’re using include a Horizontal Directional Drill (behind) and radio-frequency locator box (in hole). By the time this job is finished, they will have completed nearly two months of replacement work on approximately 25,000 feet of cable.

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Silent Images: The Conversation Starters

Photo by Cyma Shapiro

Photo by Cyma Shapiro

Silent Images is a non-profit organization that provides charities with professional photography and video services that educate and inspire viewers to take action.

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Preserving the dignity of the story is most important to Johnson.

Tucked away in the far left corner of the old brick Matthews Marketplace on South Trade St. is a group of employees working diligently on a variety of projects, most of which involve the (shooting and) editing of videos. This is clearly a millennial-driven space – something one might easily see in New York City, Chicago or San Francisco.  Tall ceilings, tree illustrations on walls, prayers on cards, blessings on rocks, a bike from Africa, international still photos all bespeak and reflect the quiet passions and intent of David Johnson – owner of Silent Images. (Named with a nod to Proverb 38 1.) This place and work is clearly a calling for David and a mission with a message.   

“We are a nonprofit that tells stories for other nonprofits - we serve other nonprofits by helping to tell their stories,” said Johnson. “We’re telling stories of hope in the midst of some sort of injustice,” he said, explaining, “A nonprofit exists because they are trying to fill a gap for somebody…..(like, saying) ‘I feel overwhelmed

by something’ – genocide, human trafficking, lack of water, housing, whatever. But, we’re not going to tell the same story that the media is telling because they tell the doom-and-gloom  -- that’s what gets the most attention or makes the most money. We want to tell them the story of hope.”

Photo by Cyma Shapiro

Photo by Cyma Shapiro

This mission and message extends back to 2006: while returning from an overseas trip, then-English teacher Johnson looked up at an airport TV monitor to see the amalgam of overlapping current events he had missed – Anna Nicole Smith’s death and Britney Spear’s head-shaving incident, to name a few.   As a volunteer who had annually gone on overseas trips with nonprofit organizations, he had seen many catastrophic events – including the genocide of Darfur – where he’d just returned from. However, this time, he could not get the images he had just witnessed out of his head, nor the juxtaposition of the mundanity of what the media was showing versus what he’d just seen. There and then, he realized that the mass-media had failed - these less significant stories far overshadowed those that he felt were more important, occurring each and every day all across the world.

He came home a changed man with a “burn to tell stories.”  Johnson quit his job to put his creative writing skills together with still-photographs to capture images and events around the world. He found a void he thought he could fill – “no one was providing services for small nonprofits that don’t have budgets,” he said.   Within one year, he and his Board of Directors made a fundamental decision to forego utilizing photography, choosing to focus on videography to capture the story.

Silent Images team. Photo courtesy Silent Images

Silent Images team. Photo courtesy Silent Images

“I’ve always been entrepreneurial, always looked for opportunities and been somewhat of a risk taker,” reflected Johnson, adding that while he was single and without encumbrances, he could more easily pursue an uncertain path.

Originally working out of a room in the First Baptist Church, then leasing commercial space on West John Street to finding his present two-level office space, Johnson is quite comfortable acknowledging that his life and work have melded into one.  “I feel like I haven’t worked a day in my life,” he said. "(This work is) purposeful, missionful. There’s something about waking up and doing what you (love) know(ing) you’ve contributed something, today, to help somebody out.”

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In his earliest years, Johnson used his own work and the work of wedding and corporate photographers who volunteered their time on his projects. Nearly a dozen years later, he has six employees whom he admires and is clearly bursting with pride when he discusses their work, skills, and abilities. “I love what they produce – they are so talented,” he said, adding that he has moved his role from being hands-on to serving as a “mentor, coach – really I’m a ‘cheerleader’ to them.”

Psalms 31: 8 - Speak up for those who cannot speak for themselves, for the rights of all who are destitute.
 
Photo by Cyma Shapiro

Photo by Cyma Shapiro

Working with donors as well as local and national nonprofit organizations, Johnson, himself, has been on nearly one dozen trips to Tanzania and Kenya. He and/or his employees have also worked in Burma (Bush Foundation), Mexico and South America (World Vision), Ethiopia (US Embassy) and With Open Eyes (Africa). Locally, he’s also made inroads with nonprofits such as United Way, Big Brother/Big Sister and Habitat for Humanity (Charlotte). All his work has been referred through word of mouth.

“Preserving the dignity of the story,” is most important to Johnson. “When you are dealing with sensitive subjects where people could feel exploited through the camera…My team all signs a kind of code-of-ethics that you are there to be a servant first, and a photographer second.  Yes, we’re storytellers and do a clean production…but we’ve treated (our subjects) with sensitivity (too).”

Photo by Cyma Shapiro

Photo by Cyma Shapiro

Within the next year, his employees will travel to Haiti and to the Middle East. “These are the stories that haven’t really been discussed,” he said.  His mission is to “connect the human journey to (capturing) that story.” Videos range in length from 30 seconds to 25 minutes.

Of significance to the naming of his company is “the importance of being observant and the importance of listening,” said Johnson. “I think those are two things you can’t teach and they are two timeless things that are particularly important for the next generation: to be observant and still, to be quiet and listen - which I imagine has become much more difficult.  When someone is able to do that, it makes their story (line) and production that much poignant and it grabs (the viewer’s) attention because somebody has paid close attention to the detail of the story… With all the distraction of social media, it gets harder and harder to be still,” said Johnson.

When someone is able to [be observant and still], it makes their story and production poignant and it grabs attention because somebody has paid close attention to the detail of the story.

Unlike many other businesses intent on continual growth, Johnson is clear that he wants to continue his work as a small company with a precise mission. “I’m content with our size,” he said. “There’s something about keeping it small and (retaining) the quality (just) where we are – we can produce high quality and with the personal touch.”

Most recently, Silent Images just released the first of three series on mental health issues – depression, anxiety, and bipolar disorder. Next, they hope to tackle the subject of suicide, PTSD, and opioid addiction.  

“The things we look for are stories that haven’t really been discussed,” said Johnson. “We know the media covers stories, but often they just give facts and tragic facts. We want to do the human journey – the (personal) story.  We like to look for those quiet, hidden stories to unveil the conversation in a new way… We like to call ourselves the ‘conversation starters’ – we’re not experts in any of these areas, but we love serving those who are the experts and starting a new conversation around (any of) those topics.”

Viewers can watch “Into the Light” videos from the Compass & Light documentary series on Sunday, October 28 from 7 – 8:30 p.m. at Christ Central Church, 3646 Central Ave., Charlotte. RSVP @ Silent Images.

 

Celebrate the Tatas

Photos by Cyma Shapiro

Photos by Cyma Shapiro

Dozens of women attended the 7th anniversary of Hadassah Charlotte’s “Celebrate the TaTas,” on Sunday, Sept. 23, at the McDowell Arts Center in Matthews.

Photo by Cyma Shapiro

Photo by Cyma Shapiro

This will be the first of four annual events designed to raise money for the Hadassah Medical Organization’s Breast Cancer Research in Jerusalem, Israel. This year’s events will raise about $50,000; cumulatively, the group has raised nearly $500,000 in the seven years of existence. Other events this fall will be Novant’s Mammovan and “The Big Reveal” at Queen Park Social club in October. For the large upcoming soccer tournament, women will fly in from the Carolinas, Georgia, Tennessee and Virginia to join teams such as “Cleats and Cleavage” and “Akuna MaTatas,” emblazoned with such shirt numbers like “34DD.”

On this day, women come to have their “TaTas” painted, eat, schmooze, be pampered, made-up and buy jewelry. While the event is intended to raise money and awareness, and celebrate and empower women in a creative and fun atmosphere, it’s also a day of “sisterhood,” according to Charlotte founder Talia Goldman. “All these women become your sisters.”

Photo by Cyma Shapiro

Photo by Cyma Shapiro

“My mother has had breast, lung, melanoma, colon, and breast (cancer) again,” she said. “I realized that this is in my DNA. I just needed to do something. I wanted to do something that was educational, creative and empowering.”

Citing the organic and communal nature of the group, the events, the sponsors, the artists, and the volunteers, Goldman attributes its success to how much it touches people, most especially, women.“Everyone knows someone (with breast cancer), is in support of someone, is (doing this in) memory of someone, or knows (and supports) Hadassah,” she said.

“Celebrate the Tatas” was started by Goldman, but has spread to New Orleans, San Francisco, Atlanta and several cities in Florida. The events are intended to bring together survivors, supporters and friends and family members affected by breast cancer. This year’s local sponsors include Novant Health, Harris Teeter, Whole Foods, Dillard’s (employees donated their time).

Although Goldman has relinquished many of the overall responsibilities to other women, she sees the growth, passion, and mission for this as infinite. “Someone asked me the other day, ‘When are you going to stop doing this?’” she said. “(I answered) When are they going to find a cure?”

Photo by Talia Goldman

Photo by Talia Goldman

Matthews Morning Minute: September 21, 2018

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News About Town: Responding to a request from N.C. State Emergency Management, Matthews Police Department sent four officers to assist Fair Bluff, NC with recovery efforts from Hurricane Florence.

Eventually a total of 18 of Matthews’ Finest will travel to Fair Bluff, a small town still reeling from Hurricane Matthew.

News Above Town: Don’t get too excited, but temps will reach a mild 86 degrees today. Is that fall calling from the distance?

News Around Town: Chris Sottile, the man about town whose personality is as robust as the cheese he mongers, will be doing the final chef demo of the season at the Farmer’s Market this Saturday, September 22.  Be there by 8:50 to get a good seat, the demo starts at 9.  A trio from WDAV's Classical Harvest Concert Series will serenade the main market while you peruse peppers, while Nick Tutwiler, a fourteen-year-old fiddler, will entertain the tailgate section.

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One Good Thing: If you’re looking for a way to help, local fire departments are collecting food, bottled water, hygiene products, and cleaning supplies for areas hit hard by Hurricane Florence.

Loose items should be boxed and labeled for quick identification and processing. Deliver donations to the Matthews Fire Department, Idlewild VFD, or Mint Hill Fire & Rescue by September 30.

The People of Matthews: Justin Coco

Photo by Cyma Shapiro

Photo by Cyma Shapiro

Justin Coco, 36, formerly from Lake Peekskill, NY - now living in Charlotte (28 years). Working on the Johnson (the two-story white) house, which was recently moved to the corner of Talbot Ct. and Fullwood Rd.

How do you like it here? "It's cool, the people are cool, the weather is decent."

What do you think about Matthews? "There are a bunch of good restaurants here; the Farmer's Market is really cool."

(Brother, Joshua, off-camera): “There's so much to do here!” (Naming all the best places......…. and reminding his brother of where they've been) "It's getting (to be) like Charlotte!"